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Independents — independent filmmakers and creatives who produce their own work and are brought onto other studios’ productions

Your own work, your own studio — and every studio that brings you in.

A director, producer, editor, colorist or writer who makes their own films, shorts and commercials to build a portfolio — and is brought onto production companies’ and agencies’ productions as a collaborator. One account: your own studio for your work, and a seat in each studio that brings you in, switching between them.

Independent filmmakersFreelance editors, colorists and VFX artistsWriter-directors developing their own projectsProducers running their own slate
Production: scenes and elements broken down from the screenplay.Production: scenes and elements broken down from the screenplay.

Your setup

The spaces you run, and what each one is for in a company like yours.

Crew

Your productions, your collaborators, your schedule

Partners

Financiers, co-producers, sales agents, distributors and festivals, each with a portal in your name

The Suite

Your scripts, boards and library

Who you invite, and exactly what they see

Access is decided by the database, person by person — nobody sees more than their part.

  • Your collaborators

    The production they are on, with what you opened to them, for as long as it runs

  • Partners

    Their portal — the cut, the approvals, the documents you share

  • Festival programmers and buyers

    One cut through a screening link, watermarked with their name

  • Talent and locations

    One release to sign, through a single-use link — it writes the rights it proves

What changes for you

One account for all of it

Your own studio and every studio that brings you in, with one login, one second factor and one notification stream — switching between them, never mixing them.

  • Membership in several organizations, with switchingAvailable
Production: scenes and elements broken down from the screenplay.Production: scenes and elements broken down from the screenplay.

Releases that write the rights

A performer or a location owner signs on a phone; the asset’s rights — including whether a likeness may be generated — are written by the signature.

  • Releases — talent, AI likeness, location, music — that write the rights they proveAvailable
One approval record: the chain of stages, who saw what, what they said, and the certificate.One approval record: the chain of stages, who saw what, what they said, and the certificate.

A record from the first cut

Every approval on the record — who, when, what they watched — with a printable certificate, before there is a lawyer in the room.

  • Printable certificateAvailable
The crew calendar: review deadlines and invoice dates projected onto one month.The crew calendar: review deadlines and invoice dates projected onto one month.

Being a collaborator in another studio is always free for the person. The collaborator model — what each invitation lets you see and do — is specified and not yet built; today you are brought in as a contractor scoped to a production. The roadmap

Open a studio, invite your team, add your first client. The record starts with the first approval.