The whole making of a film, in one suite.

A screenplay editor built for production, not just for the page.

• Industry formatting and true pagination
• Locked scenes and numbers that never shift
• Tracked changes, comments and snapshots
• The breakdown reads straight from it

Write together in real time, with everyone’s cursor on the page.

• Live co-editing on the same draft
• See who is where in the script
• No more emailing versions

Every document a production writes, in one place.

• Screenplay, treatment, bible, breakdown
• One format system for all of them

An assistant that works inside the script and documents — priced before every call.

• Draft, rewrite and summarise in place
• A per-call ceiling asks before anything expensive
• Counts against the person’s budget

Revision mode the way productions run it.

• Coloured revision pages
• Asterisks on changed lines
• OMITTED scenes held in place

Bring Final Draft scripts in and send them out, intact.

• FDX import with formatting preserved
• FDX export for anyone still on Final Draft

Start from whatever the writer already has.

• Fountain, PDF and Word import
• Scenes and elements recognised on the way in

An assistant that learns one writer’s own voice — with their consent.

• Trained on the writer’s own work only
• Suggestions in their style, not a generic one

Storyboards tied to the script and the schedule.

• Boards, shots and shot types
• Prompts kept with every frame
• Reorder by drag

Moodboards that live with the production, not in a separate app.

• References, looks, palettes and lighting
• Pinned to scenes and shots
• Shared with the client in your brand

Shot lists that feed the schedule directly.

• From the board to the shot list
• Each shot ready for the Stage to generate

Generate the board itself — frames and animatics from the script.

• Frames generated from each shot’s prompt
• Animatics with timing from the script
• Runs through the Stage’s budget and record

Live co-editing for boards and workflows too.

• The whole team on one board at once
• Cursors, not version files

Image and video generation inside the production — every take a version, every result costed.

• Text-to-image, image-to-video, text-to-video
• Takes and versions kept like footage
• Cost per result shown before and after
• Output lands in the vault, filed to the production

Every major model through one gate, chosen by what the shot needs.

• One place instead of a subscription per model
• Routing by capability — swap models without changing workflow
• No lock-in to any single provider

Model Arena — run the same prompt through several models and compare.

• Side-by-side results
• Cost and time for each
• Pick the winner, keep the record

Studio Kits — your studio’s looks, characters and presets, reusable on every job.

• Save a look once, use it everywhere
• Share kits across the team
• Consistent output across productions

Continuity — the same character, location, wardrobe and style across every shot.

• Character and face consistency
• Locations and wardrobe held between shots
• A style that does not drift

Provenance on every generated asset.

• Which model made it, from what prompt and seed
• C2PA-aligned records
• A disclosure your client can rely on

Turn generated imagery into 3D scenes.

• From a frame to a scene you can move through
• A bridge to virtual sets

Hybrid production — live action and generated shots in one cut, with rights on both.

• Filmed and generated shots in the same production
• Every likeness backed by a signed release
• One record for what was filmed and what was made

Rights on every asset, written by the signature that proves them.

• Likeness, location and music rights per asset
• AI-training permission stated, defaulting to not allowed

Releases that write the rights they prove.

• Talent, AI-likeness, location and music releases
• Signed on a phone through a single-use link

A clearance panel that tells the client what they must disclose.

• Synthetic performers flagged
• Disclosure obligations stated plainly

Workflows — generation pipelines and automations you compose once and run on every production.

• Chain script, board, generation and delivery steps
• Run on a schedule or a trigger
• Every step inside the budget and the record

Agents that act as an executive producer or a director’s assistant.

• Run workflows on your instruction
• Report back on the record
• Inside the same permissions as a person

Music, effects and dialogue — generated for the scene.

• Score and music beds
• Sound effects
• Dialogue and voice

Sound design — spotting, ADR and the mix.

• Spot the cut for sound
• ADR sessions
• Mix to delivery

A licensed effects library inside the Suite.

• Cleared effects ready to drop in
• Licences recorded per use

Edit — an assembly surface to build the cut from takes and generations.

• Assemble scenes from footage and generated shots
• Versions stacked and reviewable

Hand the timeline to Resolve, Premiere or Final Cut — and bring it back.

• Round-trip with professional editors
• Notes and markers travel with it

Finishing — colour, grade, delivery specifications and captions.

• Grade and colour
• Captions and subtitles
• Deliver to spec for every platform

A full editor with two-way live sync.

• Edit in the browser or the NLE
• Both stay in step

Remaster — upscale and restore footage you already have.

• Upscale to higher resolutions
• Restore archive and damaged footage
• Clean noise and artefacts

Translate the film — with lip-sync that matches the new language.

• Dubbed dialogue in other languages
• Lips matched to the new audio

Reframe any cut to any aspect ratio, at any length.

• 16:9, 9:16, 1:1, 4:5 from one master
• Subject-aware reframing

One master, every version — cutdowns, captions and localisations.

• 6, 15 and 30-second cutdowns
• Captioned and localised variants
• Delivered in the same production

Studio — full 3D virtual sets for your production.

• Build or generate a set
• Light and frame shots inside it

Roamable, interactive sets for a whole film.

• Walk the set like a location scout
• Block scenes before you shoot

Hire a film architect to build the set for you.

• Commission a set from a specialist
• Delivered into your production

One library for everything the studio holds.

• Facets across every production
• Each production’s footprint
• Rights and provenance with each asset